Wydział Polonistyki UWhttps://depot.ceon.pl/handle/123456789/2382024-03-28T09:23:14Z2024-03-28T09:23:14ZPolski film dokumentalny po 2005 roku. Koncepcje i doświadczeniaKopczyński, Krzysztofhttps://depot.ceon.pl/handle/123456789/240542024-03-20T08:32:48Z2023-05-01T00:00:00ZPolski film dokumentalny po 2005 roku. Koncepcje i doświadczenia
Kopczyński, Krzysztof
Polish documentary film after 2005. Ideas and experiences
A summary
Krzysztof Kopczyński is a professor at The Institute of Applied Polish Studies of the University of Warsaw and a producer and director of documentary films working on the international market. As a scholar he explores the links between literature, philosophy and film and documentary film. His most important monographs are Od romantyzmu ku erze nowych mediów [From Romanticism to New Media] (2003), Dybuk. Rzecz o nieważności świata [The Dybbuk. On the Unimportance of the World] (co-authored with Anna Sajewicz, 2017) and Paradygmat polskiego romantyzmu w uniwersum filmowym [The Paradigm of Polish Romanticism in the
Film Universe] (2021). He has also recently published an article Religious and quasi-religious attitudes in four Polish documentaries from 2008-2019 (2021, https:// pressto.amu.edu.pl/index.php/i/article/view/30639). Between 1996 and 2016 he produced several dozen documentaries that were screened at more than 370 festi
vals in 70 countries. He directed the award-winning documentaries Stone Silence (2007) and The Dybbuk: A Tale of Wandering Souls (2015). Professor Kopczyński is the winner of 25 film awards granted in 10 countries, a member of the European Film Academy, the Polish Film Academy, the Polish Filmmakers Association and
Polish Society for the Film and Media Studies.
The monograph approaches the subject mainly from a market perspective. Drawing on his own experience as a documentary film director and producer, the author describes the rules and practices of Polish documentary film in international co-production, at festivals and in distribution, especially international distribution. This does not mean the book is only aimed at film producers and distributors. Kopczyński is of the opinion that market success requires harmonious, creative and knowledgeable cooperation between all filmmakers and those who research the market and write about films. The more such cooperation is based on shared values, the better it will be for the common goal he sees as the ultimate one: enriching the epistemological and ethical achievements of documentary film and recognising the role of this film genre plays among audiovisual communications
for which reality is a key reference point.
T he book focuses on the years from 2005 to 2022. For the chronology of Polish cinema of the last half-century the following historical dates are of particular importance: 1980-1981 – the birth of “Solidarity” and the introduction of martial law in Poland; 1989 – the first partially free elections to the Polish Parliament and the fall of the Berlin Wall; 2004 – Poland’s accession to the European Union. The year 2001 – the beginning of a new century – is used in publications, but is of lesser importance. A more significant date – and therefore a turning point used in the title – is 2005, when, after several years of efforts made by Polish filmmakers,
the Cinematography Act was passed on, leading to the establishment of the Polish Film Institute, which radically changed the Polish film market.
The author also takes an interest in documentary film, which is undergoing a transformation in line with the tendencies emerging in the media in the age of convergence (e.g. interactive documentary film). Theoretical and market reflections are complemented by analyses of Polish documentaries, made “worlds away” from Poland, and about the expulsion of the Jews from Poland in 1968. The author uses the most important – mentioned in bibliography – Polish and English language publications (Angela J. Aguayo, Richard M. Barsam, Jonathan Kahana, David LaRocca, Katarzyna Mąka-Malatyńska, Bill Nichols, Michael Rabiger, Michael Renov, etc.).
2023-05-01T00:00:00ZSzczeliny dla wolnomyślnych powiewów. Polskie taktyki przekładowe dzieł Johna Williama DraperaMakuch, Damianhttps://depot.ceon.pl/handle/123456789/231572023-11-23T16:02:49Z2023-01-01T00:00:00ZSzczeliny dla wolnomyślnych powiewów. Polskie taktyki przekładowe dzieł Johna Williama Drapera
Makuch, Damian
The article outlines the process of translating John William Draper’s historical works into Polish and shows how these translations were evaluated against the background of the reception of the American scientist’s ideas. The author describes the historical conditions for the transfer of Draperism, identifies the translation tactics of Polish translators, and traces how critics with different worldviews reacted to the results of their work. Using this example, he tries to show that in the second half of the 19th century, the Polish (counter)discourse of secularization developed under extremely difficult conditions related to censorship and morality, so the translation tactics of Draper’s historiography can be considered an emancipatory gesture.
2023-01-01T00:00:00ZGrobowe milczenie? Postyczniowe głosy na temat Andrzeja Towiańskiego i recepcja jego myśliMakuch, Damianhttps://depot.ceon.pl/handle/123456789/231562023-11-23T16:03:31Z2023-01-01T00:00:00ZGrobowe milczenie? Postyczniowe głosy na temat Andrzeja Towiańskiego i recepcja jego myśli
Makuch, Damian
The article discusses the changes in the reception of Andrzej Towiański and Towianism after the January Uprising (until 1882), namely in the period of the Master’s literal and symbolic departure. The author proves that in the times of the Positivist offensive, writers began to verify the harmful myths about the Towianist religious movement and its leader. The period saw the emergence, alongside memoirs and polemical narratives, of attempts to conduct research on Towianism based on preserved documents and historical works. The author shows how the stories shaped by representatives of the intelligentsia were directly connected with new political and anthropological projects, as well as with the assessment and place of religion in the post-January period.
artykuł pokonerencyjny w tomie Towianizm. Fenomen i dziedzictwo
2023-01-01T00:00:00Z"Wiem, co czujesz". O dyskursywnych sygnałach empatiiFalkowska, Martahttps://depot.ceon.pl/handle/123456789/230662023-11-08T16:08:23Z2018-01-01T00:00:00Z"Wiem, co czujesz". O dyskursywnych sygnałach empatii
Falkowska, Marta
2018-01-01T00:00:00Z